Track-By-Track album review: Agnetha Fältskog - A
I’m going to write reviews of stuff artists I love do from
now on, and the best way to begin is with ABBA’s Agnetha Fältskog’s latest album, entitled A. I took my time to listen to this much
expected album, that’s why I only wrote a review after almost two months of its
release on May 10, 2013. I made sure I listened to every song carefully and
repeatedly, after getting over the joy of Agnetha’s comeback to keep that from
making me too biased. Well, here we go, a track-by-track album review:
Album cover
1.
The One Who Loves You Now – this is a nice
romantic song that reminds me a lot of Agnetha’s 1983 album Wrap Your Arms Around Me. It’s a great
way to open her extremely anticipated comeback album, with a little more modern
take on the kind of song we like to hear from her.
2.
When You Really Loved Someone – the first
worldwide single of the album was rightfully chosen. It is a great song, very
current and unlike Agnetha’s usual stuff. The song is truly grand, fit for the
diva that she is. The lyrics are simple and beautiful, perfect for her, and the
melody is a little more up-tempo than I expected from her. I was pleasantly
surprised.
3.
Perfume in the Breeze – at first it seems to be
a pretty little romantic song, but after carefully listening to it, I realized
it was about a one-night-stand with a stranger in the beach! How edgy! Totally unexpected
from the melancholic blonde who sang “The Winner Takes it All”. Another upbeat
song, fun to listen to, and shows a new side to this singer who is clearly
trying to break away from her Greta Garbo image. Catchy chorus, too.
4.
I Was a Flower – the Agnetha trademark melancholic
lost love kind of song. She sings it beautifully, and it’s a great song. As
usual, she touches your soul with her angelic sad voice, making you pity her as
she accuses someone of making her colors fade.
5.
I Should’ve Followed You Home (with Gary Barlow)
– she reaches a new audience with her partnership with Take That singer Gary
Barlow. Their voices go well together, but it is far from being my favorite
Agnetha duet. Barlow co-wrote the song, which is great, makes it a little more
personal instead of being an entirely commercial tune.
6.
Past
Forever – it feels like another melancholic tune, but it has a note of conformation
with the past. It’s more like a “shoulda coulda woulda” kind of message instead
of the expected “oh no, it’s gone” kind.
7.
Dance Your Pain Away – a disco song by Agnetha
in 2013? Yes please! It is great to hear a fresh dance song done by the girl
from ABBA, the Dancing Queen herself. On the other hand, it is truly an attempt
to reach the gay audience, and it has been said it was indeed intended as a gay
anthem. It is a commercial song, no doubt, made for the sole purpose of selling
records. It is the second single of the album, and it’s a great choice
commercially.
8.
Bubble –
Agnetha’s favorite song of the album. It is darker than most of her material
and it has artistic value. It’s almost hauntingly beautiful. A nice song for a
rainy day.
9.
Back On Your Radio – I consider this to be the
silliest song in the album, but it is suggestive in the sense that Agnetha is “back
on your radio”. It has a somewhat catchy chorus where she sings with a sweet
voice that reminds me a little of ABBA's “Slipping Through My Fingers.”
10. I Keep Them On The Floor Beside My Bed – she
loves a long title, doesn't she? Well, I absolutely LOVE this song, not only
for the fact that it is beautifully sung, but also because she wrote it. The fact
that she made an attempt of composing a song makes me give her a standing
ovation. She has always been a talented songwriter from an early age, and this
song is no different. It is a rare gem of pop music, and my favorite from this album
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